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Erin Blake

is currently the Senior Cataloger responsible for art and manuscripts at the Folger Shakespeare Library. From 2000 to 2014, Erin served as the Folger's Curator of Art and Special Collections. In 2014, she became Head of Collection Information Services. After a four-year tour of duty in senior management, she happily returned to working hands-on with the collection in 2018. In addition to her Folger work, Erin teaches The History of Printed Book Illustration in the West at Rare Book School, and is a member of the RBMS Bibliographic Standards Committee.
Proof prints, part two; or, Proofs and proofiness
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Proof prints, part two; or, Proofs and proofiness

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Erin Blake

Last month’s post from me (your friendly neighborhood art historian) looked at trial proofs and progressive proofs (see Proof prints, part one). As promised, here’s a look at a third kind of proof in printmaking: proofs that aren’t really “proofs” as…

Proof prints, part one
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Proof prints, part one

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Erin Blake

Last time I posted on The Collation (Two disciplines separated by a common language, 30 April 2013), I went off on a bit of a rant about vocabulary barriers between printed pictures and printed words. Guess what? There’s more! That…

Two disciplines separated by a common language
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Two disciplines separated by a common language

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Erin Blake

I should have seen it coming when the Art History professor and the English professor started talking with each other about “print culture” (names omitted to protect reputations). It soon became clear that one had been talking about the circulation…

The mysterious "Sem"
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The mysterious "Sem"

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Erin Blake

World, meet Sem. Sem, meet the World. Looks thrilled, doesn’t he? Well, you’d be a bit jaded, too, if you’d been hanging around the Folger for over 80 years, waiting for someone to finally notice you. Self portrait of the…

A Perfect Ten
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A Perfect Ten

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Erin Blake

American theater manager and playwright Augustin Daly (1838–1899) had a unique way of commemorating his productions. He collected illustrations, letters, and ephemera connected with the his staging, connected with historic productions of the play, and connected with the story of…

Myth-busting early modern book illustration, part two
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Myth-busting early modern book illustration, part two

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Erin Blake

The last round of book illustration myth-busting looked at how copper plates wear out (and how they don’t wear out). This time, I’d like to take a bucket of archival research and dump it on a related myth. How many…

Myth-busting early modern book illustration, part one
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Myth-busting early modern book illustration, part one

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Erin Blake

There’s a common core of misconceptions that many readers of this blog will be accustomed to dispelling thanks to their interest in Shakespeare and Early Modern Europe. “O Romeo, Romeo, wherefore art thou Romeo?” doesn’t mean “Where’d you go, Romeo?!” Historic…

A Geek-Peek at Folger "ART File" and "ART Box" Classification
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A Geek-Peek at Folger "ART File" and "ART Box" Classification

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Erin Blake

One of the most fascinating books I read while working on my dissertation had nothing to do with the topic as such: It’s the 189-page “user’s guide” to the British Museum’s Department of Prints and Drawings, published in 1987. In it,…

Itty-bitty tab dividers
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Itty-bitty tab dividers

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Erin Blake

The main trick with November’s “crocodile” was having to figure out the scale. It looks at first glance like a woolly button on a pin-striped shirt: The November ‘Crocodile’ But when a ruler is included in the shot, you can…

The Return of the Prodigal Painting(s)
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The Return of the Prodigal Painting(s)

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Erin Blake

I’d guess that few people look at Appendix III in the back of William L. Pressly, Catalogue of Paintings in the Folger Shakespeare Library (Yale University Press, 1993). Appendix III is unillustrated, not very detailed, and rather depressing: it’s the list…

Elizabeth goes to New York
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Elizabeth goes to New York

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Erin Blake

On September 5, two professional art handlers from Artex Fine Art Services loaded a great big wooden crate onto their climate-controlled box truck, strapped it securely into the rear cargo area, then strapped my little suitcase next to it. The…

The material history of... ?
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The material history of... ?

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Erin Blake

The phrase “history of the book” is commonly used as a catch-all for the history and study of the physical components and technology behind traditional printer’s-ink-on-folded-paper-in-a-binding books, whether or not the thing being studied is itself a traditional book or…

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