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Sarah Werner

held a number of roles during her time at the Folger, including Editor of The Collation (2011–2015). She is the author of Studying Early Printed Books 1450-1800: A Practical Guide, co-editor of PBSA (The Papers of the Bibliographical Society of America) and occasionally still writes a blog and newsletter, which can be found from her website.
Bridging past and present
Collation

Bridging past and present

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Sarah Werner

As I hope Collation readers know by now, the Folger is committed to openly accessible resources. Last week provided one example of the exciting results from such a scholarly pooling of knowledge. The story begins with a conference held at the…

Is that bleed-through?
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Is that bleed-through?

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Sarah Werner

In some ways, this image is a perfectly ordinary one (well, ordinary if it’s possible to think of an autograph manuscript of Mary Wroth’s important sonnet sequence Pamphilia to Amphilanthus  as ordinary): Mary Wroth’s Pamphilia to Amphilanthus (fol. 65r) Heather Wolfe…

Sizing books up
Collation

Sizing books up

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Sarah Werner

A couple of weeks back I posted some images with the aim of destabilizing some of our assumptions about what early modern texts look like. In the mix was an image of a “big” book followed by a “tiny” one.…

It's the details thnt matter
Collation

It's the details thnt matter

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Sarah Werner

There were two odd things happening in last week’s crocodile mystery, which featured an opening from the first English edition of Nicolàs Monardes’s Joyfull newes out of the newe founde worlde (STC 18005). The first was the easier to spot, assuming you…

Noticing the weirdness of texts
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Noticing the weirdness of texts

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Sarah Werner

Sometimes it’s fun just to look at books without worrying what they are and who printed them and what the text says. And sometimes, when you do that, you notice all sorts of ways in which they’re weird—they mix manuscript…

Annotating and collaborating
Collation

Annotating and collaborating

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Sarah Werner

This month’s crocodile mystery was, as Andrew Keener quickly identified, an image from Gabriel Harvey’s copy of Lodovico Domenichi’s Facetie and (Folger H.a.2): Gabriel Harvey’s heavily annotated copy of Facetie (fol. 1v-2r) There is a lot that could be said about Gabriel…

Looking like a book
Collation

Looking like a book

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Sarah Werner

Last month I wrote about a book—nay, a leaf of a book—and the secret histories it reveals about how it was made, from the growth of the tree that became the woodblock to the valleys and hills that formed during…

Pen facsimiles of early print
Collation

Pen facsimiles of early print

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Sarah Werner

As the commenters on last week’s crocodile guessed, the mystery image showed writing masquerading as print or, to use the more formal term, a pen facsimile (click on any of the images in the post to enlarge them): pen facsimile…

First Folios online
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First Folios online

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Sarah Werner

Editor’s Note, March 30, 2016: Sarah now is maintaining an up-to-date list of digitized First Folios on her personal site. When you’ve finished reading this post, please head over there to check out the current list. I imagine that you’re…

Secret histories of books
Collation

Secret histories of books

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Sarah Werner

This month’s crocodile mystery was a bit more challenging than recent ones (perhaps not helped by my cryptic “suitable for April” introduction), but Aaron Pratt guessed the gist of it: the image was a detail of a page printed in…

The seven ages of man, rendered movingly
Collation

The seven ages of man, rendered movingly

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Sarah Werner

In my last post, I described this month’s crocodile mystery as more of a rhetorical device than a question to be answered: what does this box prompt us to imagine what might be? All images in this post can be…

a Henry for her time
Collation

a Henry for her time

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Sarah Werner

So the short answer to last week’s crocodile mystery is that this is a picture of Gwen Lally in the role of Henry V: Gwen Lally as Henry V How did I know that’s who this was? Well, click on…

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