This month’s Crocodile Mystery illustrates a scene from Shakespeare, but seems more suited to Sir John Suckling: “Why so pale and wan fond lover?” Share your thoughts on why it looks the way it does by leaving a reply in the Comments section.
The Collation
is the author used for "crocodile mystery" posts, Q&As with Folger staff, and other general posts. — View all posts by The Collation
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Comments
This may be the penultimate state in an engraving process where the printing of the complete image is achieved through several successive states. Here, for some reason, the last block with black and white details of the portrait has not been printed on the background in shades of gray.
From Boydell’s Shakespeare Gallery. The image is of Lady Macbeth, Act 1, scene V. After a painting by Richard Westall, the engraver was Parker. This appears to be a interim-state proof. The final engraving would have been done all on one copper plate. Our copy of the book says the engravings are “Reduced and Re-Engraved by the Heliotype Process.” Perhaps your crocodile is a proof from this edition.
Comments
This may be the penultimate state in an engraving process where the printing of the complete image is achieved through several successive states. Here, for some reason, the last block with black and white details of the portrait has not been printed on the background in shades of gray.
elisabeth bruxer — May 30, 2018
Possibly intended to be hand coloured?
Jan Kellett — May 30, 2018
From Boydell’s Shakespeare Gallery. The image is of Lady Macbeth, Act 1, scene V. After a painting by Richard Westall, the engraver was Parker. This appears to be a interim-state proof. The final engraving would have been done all on one copper plate. Our copy of the book says the engravings are “Reduced and Re-Engraved by the Heliotype Process.” Perhaps your crocodile is a proof from this edition.
tom Leech — May 30, 2018