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Folger Collections

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Back-to-back reading
Collation

Back-to-back reading

Posted
Author
Sarah Werner

As commenters bruxer and Lydia Fletcher worked out,  January’s crocodile mystery showed a detail of the head of a dos-à-dos binding, with a covered board running down the middle separating two gauffred text blocks. The full picture makes it a bit…

Happy New Year's "E"
Collation

Happy New Year's "E"

Posted
Author
Erin Blake

Perpetual calendars in the early modern period relied on knowing a given year’s “dominical letter” or  “Sunday letter”—the letter corresponding to the date of the first Sunday in January where A=1, B=2, C=3, and so on. This New Year’s Eve, we’re…

Unbidden guests, moldy pies, and other holiday drama
Collation

Unbidden guests, moldy pies, and other holiday drama

Posted
Author
Heather Wolfe

As we enter the holiday season and look forward to spending time with our families and friends, it is of course always useful to take a moment to reflect upon the antics of other people’s families. Even better if those…

A look back at our 2013
Collation

A look back at our 2013

Posted
Author
Sarah Werner

Here on The Collation, it’s been a busy 2013. Today’s post will be our 68th of the year, and as of December 15th, we’d racked up 46,012 visits from 33,411 unique visitors, producing 67,361 pageviews this year. *phew* It’s gratifying that we…

“Très-humblement”: Tracing the mysteries of a 1602 Dutch pamphlet
Collation

“Très-humblement”: Tracing the mysteries of a 1602 Dutch pamphlet

Posted
Author
Goran Proot

For more than a year now I have been working with volunteers on the Flemish holdings in the Folger. I reported on this project at the annual international conference of Sixteenth Century Society and Conference in San Juan, Puerto Rico,…

'Tis the season for almanacs
Collation

'Tis the season for almanacs

Posted
Author
Sarah Werner

December crocodile As our two commenters on the last post sussed out, this month’s crocodile mystery is a detail from an almanac, the black “Swallow” overprinting the red “Dove” the names of authors of two different almanacs. Below is the full…

Mr. Folger's most expensive painting
Collation

Mr. Folger's most expensive painting

Posted
Author
Erin Blake

There’s a persistent rumor that “Mr. Folger never paid more than x for a painting.” The value of x depends on who’s telling the story, but it’s generally around $2,000 and is used as evidence that he wasn’t interested in paintings.…

EMMO: Early Modern Manuscripts Online
Collation

EMMO: Early Modern Manuscripts Online

Posted
Author
Heather Wolfe

The Folger is thrilled to share the news that we are the recipient of a generous three year National Leadership Grant from the Institute of Museum and Library Services (IMLS) to create Early Modern Manuscripts Online (EMMO), an online searchable…

A practical look at the Practical Science of Printing
Collation

A practical look at the Practical Science of Printing

Posted
Author
Sarah Werner

title page for Fertel, La science pratique de l’imprimerie In 1723, a Frenchman named Martin-Dominque Fertel published a book on printing, La science pratique de l’imprimerie. It’s good to look at early printing manuals, especially when one is trying to…

Attempting to censor John Donne
Collation

Attempting to censor John Donne

Posted
Author
Daniel Starza Smith

A guest post by Daniel Starza Smith The Folger’s unique collection of manuscript letters by John Donne (1572-1631) is rightly recognized as being of international importance. Donne is regarded as one of the foremost intellectual figures of early modern England,…

Fingerspitzengefühl
Collation

Fingerspitzengefühl

Posted
Author
Goran Proot

Just like “Fernweh”—the opposite of “Heimweh” or one’s longing for distant countries—the German word “Fingerspitzengefühl” is almost impossible to translate. Literally it refers to the sensitivity of one’s fingertips and it expresses an accurate knowledge or a delicate feeling that…

Can you spot the differences?
Collation

Can you spot the differences?

Posted
Author
Erin Blake

Have a look at the coat of arms worn by Edwin Booth (1833–1893) in the title role of Shakespeare’s King Richard III. Notice something wrong? Richard III tunic worn by Edwin Booth in the 1870s. Hint: The conventions Victorian aesthetics…

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