The Folger Spotlight

Ivie Orobaton revisits her February 2024 presentation on Yaa Gyasi’s Homegoing, the second of a two-part series.

Ivie Orobaton revisits her February 2024 presentation on Yaa Gyasi’s Homegoing, the first of a two-part series.

Resources related to Shakespeare and Black history in preparation for our February book club discussion of Homegoing by Yaa Gyasi.

“I was particularly intrigued by the concept of ‘honest Iago’ and what honesty truly signifies in the context of gender roles,” writes Mary Chieffo.

Introductory information on the February 2024 Folger Book Club selection, a generational story spanning centuries.

Austin Dean Ashford shares more about his one-person show, “Rap Monologues,” which fuses hip hop history, humor, and a fresh perspective on the classics.

“I wanted to write a play that allowed these characters to speak in Jewish voices for the first time,” writes Mantell about Everything That Never Happened.

Learn more about what to expect for The Reading Room Festival’s “interactive interrogation” of Shakespeare’s Othello, Act III, scene iii, at Folger Theatre.

Carmen Pelaez shares how she was inspired by Shakespeare’s The Taming of the Shrew and why she set her play The Cuban Vote amid a political campaign in Miami.

Elizabeth DeBold revisits her December 2023 presentation on Eleanor Brown’s The Weird Sisters, a family story threaded with Shakespearean references.

Get into the festive spirit with this warming holiday beverage from DCanter.

Resources related to early modern family dynamics in preparation for our December book club discussion of The Weird Sisters by Eleanor Brown.