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Art

Art in the Folger collections
Research round-up: February 2015
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Research round-up: February 2015

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Author
Abbie Weinberg

The theme of this month’s post, which features two questions regarding 19th-century sources, is “We have materials beyond the early modern period!” As our collection development policy states, in addition to seeking primary source material on English and continental civilization…

Acquisitions Night: February 5, 2015
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Acquisitions Night: February 5, 2015

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Author
Erin Blake

Got your tickets yet? Acquisitions Night is just over a week away! This once-a-year event directly supports the growth of the collection by giving people the chance to “adopt” selected items acquired over the past year—that is, reimburse the purchase price to the library so…

Out with the old? The A.L.A. Portrait Index of 1906
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Out with the old? The A.L.A. Portrait Index of 1906

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Author
Erin Blake

To create more work space, we’re starting to sort through the hundreds of “ready reference” books that fill the shelves in the shared staff areas on Deck A, pulling out volumes that really don’t need to be kept that handy. For example,  it’s…

Storming Shakespeare: creating an artists' book
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Storming Shakespeare: creating an artists' book

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Author
Jan Kellett

A guest post by Jan Kellett Editor’s note: When the Folger acquired the lovely artist’s book Storming Shakespeare from Jan Kellett last year, Erin Blake asked if she would be willing to share some information with our readers about the…

Mezzotint!
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Mezzotint!

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Author
Erin Blake

Simran Thadani’s wild guess for the December Crocodile Mystery, backed up by Martin Antonetti and Deborah J. Leslie, is our winner. This month’s image is a close-up of the lower right edge of a mezzotint engraving. The lines that look…

Dalí as you like him
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Dalí as you like him

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Author
Sarah Werner

The change of pace in this month’s crocodile mystery is thanks to Salvador Dalí. Surely you, like our commenters, recognized those elongated legs. And if I’d shared the companion image, you’d have guessed that immediately as well. Dalí’s backdrop for…

A carousel of tragedy
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A carousel of tragedy

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Author
Sarah Werner

We are used to thinking of productions of Shakespeare’s plays as creating new works of art that demonstrate the vitality of the centuries-old drama. But in the right hands, books can achieve the same effect. Emily Martin’s The Tragedy of…

Free cultural works! Come get your free cultural works!
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Free cultural works! Come get your free cultural works!

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Author
Erin Blake

It’s official: pictures in the Folger’s Digital Image Collection are now licensed CC BY-SA! That is, they can be used under a Creative Commons Attribution–ShareAlike 4.0 International License, one of the two Creative Commons licenses “approved for free cultural works.” That’s almost…

Four states of Shakespeare: the Droeshout portrait
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Four states of Shakespeare: the Droeshout portrait

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Author
Sarah Werner

So the mysterious eye of this month’s crocodile belongs to no other than Shakespeare, as some readers immediately recognized: Droeshout’s engraving of Shakespeare on the title page of the First Folio More specifically, it is Shakespeare’s left right eye as depicted…

Timon of Athens: nine not-actually-lost drawings by Wyndham Lewis
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Timon of Athens: nine not-actually-lost drawings by Wyndham Lewis

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Author
Erin Blake

In 1998, modernist art and literature scholar Paul Edwards wrote about “a set of watercolours and (apparently) ink drawings on the theme of Shakespeare’s Timon of Athens” by Wyndham Lewis that had been published as a portfolio in 1913. Paul Edwards, “Wyndham…

V, u/v, and library transcription rules
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V, u/v, and library transcription rules

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Author
Erin Blake

You know the saying, “the great thing about standards is that there are so many to choose from?” You know Sarah’s post about the transcription practices used in The Collation, and Goran’s posts about V and U in titles and…

A print pricked for transfer
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A print pricked for transfer

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Author
Erin Blake

So, what’s up with the crocodile mystery for March? As I said in the comments, Tom Reedy was verrrrry close with “It looks like some sort of device using punctures along a line to allow powder or ink to pass through…

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