Folger Collections
Photo-manual illustration
As Jeff and Anthony commented on last week’s Crocodile Mystery, this picture is unusual because it is an engraved portrait copied from a photograph rather than from a drawing or painting. “Madame Celeste as the Princess Katherine.” Engraved by George Hollis from a daguerreotype by J.E.…
EMMO announces the launch of Shakespeare's World
There are thousands of manuscripts sitting quietly amongst the Folger’s ever-growing collection which Early Modern Manuscripts Online (EMMO) aims to transcribe. Earlier this year EMMO collaborated with Zooniverse, a hugely successful online crowd-sourcing platform, so that people all over the…
The Secret History (of a publication)
Yes. As our readers quickly reported, this month’s mystery image is the imprint on Procopius’s The secret history of the court of the Emperor Justinian. In fact, it is the imprint of the very first English translation of Procopius’s Secret work.…
Two film studios, alike in dignity...
The Folger owns a variety of printed items related to the cinematic history of Shakespeare—screenplays and manuscript drafts, pressbooks and souvenir programs, and still photographs. Generally, there’s a good chance that we also have the related film recording in some…
“Extravagantly Large Paper”
While working on the exhibition “Age of Lawyers” (currently on view at the Folger Shakespeare Library), I came upon several interesting copies of Thomas Littleton’s Tenures, the first textbook written on English land law. There are five different copies of…
Doodles and Dragons
A guest post by Gail McMurray Gibson, William R. Kenan Professor Emerita of English and Humanities, Davidson College. When the Macro Plays manuscript pages recently came out of the Folger vault for a day of conversation with scholars, curators, and…
What to do about the Macro manuscripts?
We thought we had the right question. Renate Mesmer (Head of Conservation), Heather Wolfe (Curator of Manuscripts), and I invited several scholars to the Folger for a lab-based discussion on “V.a.354: What to do about the Macro Manuscripts?” Specifically, the…
Fall Round-up for Early Modern Manuscripts Online
Over the past few months, EMMO has been busy with several first-ever activities connected to transcribing manuscripts at the Folger. In August, we transcribed excerpts from over twenty four manuscripts currently exhibited in the Age of Lawyers Exhibition (running until…
Shakespeare Land
As one reader quickly guessed, the photograph featured in last week’s crocodile post is part of an admission ticket to the Holy Trinity Church in Stratford-upon-Avon, Shakespeare’s burial place. This ticket is one window onto the growth of tourism in…
“Beloveed Plays”: A Sammelband of 1680s Quartos & Its Readers
A Guest Post by Claire M. L. Bourne A major fringe benefit of systematically going through so many books (1,300+) at the Folger last year, looking for typographic conventions and experiments, was encountering traces of use and reading that have…
An Example of Printed Visual Marginalia
The Folger Shakespeare has recently acquired a copy of the 1706 English edition of the travel narrative A New Voyage to the North… (Folger 269- 090q), written by the French physician Pierre Martin de la Martinière (1637-1676?) and published posthumously…
Printers and authors in 1659
John Ward’s sixteen notebooks, once they are fully transcribed for EMMO, are going to be an incredibly rich source for nearly everyone who thinks about or studies early modern England. Most people have heard about them because of John Ward’s…